“If you’re looking for designers who will understand your vision, deliver on everything, and provide such a comfortable experience—don’t look any further!!”
— Sara Faddah,
Founder of 77 Flavors






Sara & Dario needed a brand that would be “fun but also taken seriously” and would celebrate Chicago’s history and culture while being flexible enough to apply to other cities in the future.
In reviewing the moodboard they provided along with answers to our strategy questionnaire, we noticed:
They were especially drawn to two specific covers from The Chicagoan magazine, and these ultimately inspired the two potential design directions that Cass & I considered for this project.
This design uses Art Decoi-inspired type, fine-lined illustrations, and contrasting warm colors to achieve a vintage maximalist aesthetic.

This design leans into fonts that blend old & new, eclectic illustrations, and distinctive colors to communicate the brand’s adventurous vibe.

“Y’all are cookin’!”
— Dario Durham,
Founder of 77 Flavors
The Jazzy Nostalgia moodboard won approval because its unique color palette and imagery resonated with Dario and Sara, but the Vibrant Deco direction was a close second because of its typography.
Cass and I took this feedback into account as we designed the brand identity; because the vibe is eclectic, a mix-and-match strategy worked beautifully in this case!
This wordmark was deceptively challenging to design! Even when we’d finally found an ideal primary typeface for this brand (TT Modernoir), it took many iterations before we struck gold.
The final logo is carefully calibrated to guide the eye smoothly while incorporating visually interesting details that add vibrant personality without overwhelming the whole.


This horizontal wordmark layout is simple but effective, which is ideal for a primary logo. The small caps treatment works well because it’s both legible and visually interesting.
Customized chunky, staggered 7s that use a varied stroke width and align with the letter cap heights draw the eye so that the number is read first. The unique curled R and S terminals create a sense of movement, fun, and excitement that’s perfect for such an adventurous brand.
This variation uses a stacked layout and spelled out numbers to offer a more vertical version of the logo that’s better suited to spaces where the available height is more spacious than the width.
The typography here uses the same details found in the primary logo, but the stacked logo has a more antique feel that’s especially appropriate for slightly more formal settings.


This oval variation of the logo was inspired by pressed coins, which were first seen in America at the 1893 Chicago World’s Columbian Exposition.
“Chicago” uses the primary brand font’s alternate narrow C, G, and O glyphs as a subtle nod to the Chicagoan magazine wordmark. The dotted border is often seen on elongated penny designs, and it allows space to specify Chicago or any other city as the brand grows.
This mini mark maintains consistency with the primary logo while serving as a standalone representation of the brand.
The figures have distinctively customized curves yet remain legible at small sizes due to their moderate stroke–weight contrast. A subtle letterpress texture lends informal historical character to the mini mark as well as to the other three versions of the logo.


Cass and I chose an unusually expansive palette to reflect the many facets of this brand.
Rosewood, a rich burgundy inspired by the bricks that are often found in Chicago’s architecture.
Flame, a vibrant & exciting red-orange that represents the brand’s adventurous side, plus Alt Flame for tonal brand illustrations and patterns.
Charcoal, a deep, warm neutral that feels grounded and adds functional contrast.
Cream, a bright, warm neutral that’s familiar and relatable as well as inviting, plus Double Cream for lower-contrast applications (such as on the website).
Heather, a soft vintage hue that’s unexpected and underscores the brand’s nostalgic vibe, plus Alt Heather for tone-on-tone brand assets.
Chartreuse, a fun yellow-green that gives the brand a retro-inspired feel and piques curiosity, plus Alt Chartreuse for tonal brand assets.
Nightfall, a collegiate blue-purple that expresses the brand’s thoughtful character, plus Alt Nightfall for low-contrast brand assets.

The hand-drawn brand illustrations were inspired by antique engravings like those found in old books.
The same letterpress texture used in the logo suite makes them look imperfectly inked for a casual yet historical vibe, while their subjects suggest adventure & curiosity.
The token asset (lower left corner) was inspired by an antique metal CTA token and features a Chicago star as a tribute to 77 Flavors’ home city.

The ornate Art Deco-inspired brand pattern amplifies the decorative geometry of the primary brand font and logo suite, while the textured brick pattern feels more casual.
Having two patterns offers opportunities for pattern mixing, which adds maximalist depth to the brand’s aesthetic.









The Webflow CMS offers a built-in sitewide search capability, so we decided to implement it even though it wasn’t among our clients’ top priorities.
I designed a custom magnifying glass icon so the search link both wouldn’t take up too much space in the nav and would match the brand aesthetic.
By default, the Webflow site search shows a “No results” message before a search has been performed. This isn’t ideal from a UX standpoint, so I added some custom code to the page that hides this message until a search fails and then displays “No results found; please check your search query for spelling mistakes!”
Because Cass and I needed a flexible development tool and 77 Flavors needed robust CMS capabilities for their podcast episode notes, we opted to build the site in Webflow.
To ensure that our build would be as robust and responsive as possible, I used the Utopia Fluid Type Scale Calculator and Fluid Space Calculator to set up type scale variables (-1 through 7) and spacing variables (3XS through 3XL) in Webflow.
This required some extra work up front, but it was worthwhile because using these variables thoughout the site really streamlined the process of ensuring it’s fully responsive!
/* @link https://utopia.fyi/space/calculator?c=320,18,1.25,1240,20,1.414,6,1,&s=0.75|0.5|0.25,1.5|2|3|4|6,s-l|l-2xl|xl-3xl&g=s,l,xl,12 */
:root {
--space-3xs: clamp(0.3125rem, 0.3125rem + 0vw, 0.3125rem);
--space-2xs: clamp(0.5625rem, 0.5408rem + 0.1087vw, 0.625rem);
--space-xs: clamp(0.875rem, 0.8533rem + 0.1087vw, 0.9375rem);
--space-s: clamp(1.125rem, 1.0815rem + 0.2174vw, 1.25rem);
--space-m: clamp(1.6875rem, 1.6223rem + 0.3261vw, 1.875rem);
--space-l: clamp(2.25rem, 2.163rem + 0.4348vw, 2.5rem);
--space-xl: clamp(3.375rem, 3.2446rem + 0.6522vw, 3.75rem);
--space-2xl: clamp(4.5rem, 4.3261rem + 0.8696vw, 5rem);
--space-3xl: clamp(6.75rem, 6.4891rem + 1.3043vw, 7.5rem);
/* One-up pairs */
--space-3xs-2xs: clamp(0.3125rem, 0.2038rem + 0.5435vw, 0.625rem);
--space-2xs-xs: clamp(0.5625rem, 0.4321rem + 0.6522vw, 0.9375rem);
--space-xs-s: clamp(0.875rem, 0.7446rem + 0.6522vw, 1.25rem);
--space-s-m: clamp(1.125rem, 0.8641rem + 1.3043vw, 1.875rem);
--space-m-l: clamp(1.6875rem, 1.4049rem + 1.413vw, 2.5rem);
--space-l-xl: clamp(2.25rem, 1.7283rem + 2.6087vw, 3.75rem);
--space-xl-2xl: clamp(3.375rem, 2.8098rem + 2.8261vw, 5rem);
--space-2xl-3xl: clamp(4.5rem, 3.4565rem + 5.2174vw, 7.5rem);
/* Custom pairs */
--space-s-l: clamp(1.125rem, 0.6467rem + 2.3913vw, 2.5rem);
--space-l-2xl: clamp(2.25rem, 1.2935rem + 4.7826vw, 5rem);
--space-xl-3xl: clamp(3.375rem, 1.9402rem + 7.1739vw, 7.5rem);
}
While designing business cards for Sara and Dario near the end of this project, I was able to reuse the custom social icons from their website so that all of their social accounts fit comfortably in a small space.
I also created a bonus “URL” variation of the primary logo to help the web address stand out here.

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